Pop Music and Culture: CuBop, Up-Rock, Boogaloo and Banda. Latinos Making Music in the United States

Pop Music and Culture: CuBop, Up-Rock, Boogaloo and Banda. Latinos Making Music in the United States

CFA MH333/433 A1

MWF 12-1 CFA (855 Commonwealth) B36

Prof. Michael Birenbaum Quintero

Surveys the musical styles of Latinos in the US. Discusses the role of these musics in articulating race, class, gender and sexual identities for US Latinos, their circulation along migration routes, their role in identity politics and ethnic marketing, their commercial crossover to Anglo audiences, and Latin/o contributions to jazz, funk, doo-wop, disco and hip hop. Case studies may include Mexican-American/Chicano, Puerto Rican/Nuyorican and Cuban-American musics; Latin music in golden age Hollywood; Latin dance crazes from mambo to the Macarena; rock en español; the early 2000s boom of Latin artists like Shakira, Enrique Iglesias, and Jennifer López; reggaetón, race politics, and the creation of the “Hurban” market; and the transnational Latin music industries of Los Angeles, New York, and Miami.

Monday, April 27, 2020

Listening study guide for the final

Son jarocho

Features the strummed jarana jarocha, usually playing in some rhythm based on (123456 123456)...
 
... and the twangy plucked jarana requinto
There are sometimes other stringed instruments (like harp, a lower pitched jarana) and percussion instruments (like the donkey jawbone (quijada) and the cajón), the zapateo technique of foot-stamping on a wooden tarima, exuberant singing, and the oversized thumb piano called marimbol.

Salsa
Salsa is clave-base music, based on Cuban son and other Afro-Cuban and Afro-Caribbean musical styles. The rhythm section includes congas, bongó/cowbell, and timbales, along with bass and piano, and brass instruments, usuallyincluding trombones, trumpet, and sometimes other stuff as well. The classic New York salsa sound usually has that gritty two-trombone sound and aggressive, up-front percussion:

Cumbia
Cumbia could have many different instruments, but the thing to listen for is the metal scraper (güira)  doing a kind of monotonous 1 and-a-2 and-a-3 and-a-4 (as here) and usually a piano or guitar playing in the off-beats or upbeats, like ska or reggae: 1 AND 2 AND 3 AND 4. You can hear both the scraper and the upbeats here:

Banda
If you hear tuba, and it's in Spanish, it's banda. Tuba (and related instruments like souzaphone and helicon) is the big farty awesome one:
Banda also features trumpets and trombones, paired against clarinets, usually with some kind of stick (not hand) drums like bass drums and snares. The rhythms, as for most northern Mexican and SW Mexican-America music, is either waltz (1 2 3 1 2 3) or polka.

Norteño

This music, like its Texas twin sibling, conjunto, features accordion and bajo sexto. (The differences between conjunto and norteño are really subtle, and I won't ask you to distinguish between them). One thing that modern norteño might have is a banda+accordion combo.
Most of the modern narcocorridos are played by either norteño accordion bands, bandas, or combinations of both.

Reggaetón
Features the dembow rhythm, essentially an electronic habanera.

Punk

Fast, energetic, no frills rock n' roll with distorted guitars with lots of... attitude.




No comments:

Post a Comment