(l-r, top to bottom) Flaco Jiménez, Dizzy Gillespie w/ Chano Pozo, Shakira, the Chessmen, 1980s Nuyoricans, Carmen Miranda, Daddy Yankee, Los Tigres del Norte, Desi Arnaz, Vernon and Irene Castle, Grupo Aventura, Central Park rumberos, Richie Valens and Jackie Wilson, Jenni Rivera, Los Lobos
Pop Music and Culture: CuBop, Up-Rock, Boogaloo and Banda. Latinos Making Music in the United States
Pop Music and Culture: CuBop, Up-Rock, Boogaloo and Banda. Latinos Making Music in the United States
CFA MH333/433 A1
MWF 12-1 CFA (855 Commonwealth) B36
Prof. Michael Birenbaum Quintero
Surveys the musical styles of Latinos in the US. Discusses the role of these musics in articulating race, class, gender and sexual identities for US Latinos, their circulation along migration routes, their role in identity politics and ethnic marketing, their commercial crossover to Anglo audiences, and Latin/o contributions to jazz, funk, doo-wop, disco and hip hop. Case studies may include Mexican-American/Chicano, Puerto Rican/Nuyorican and Cuban-American musics; Latin music in golden age Hollywood; Latin dance crazes from mambo to the Macarena; rock en español; the early 2000s boom of Latin artists like Shakira, Enrique Iglesias, and Jennifer López; reggaetón, race politics, and the creation of the “Hurban” market; and the transnational Latin music industries of Los Angeles, New York, and Miami.
Tuesday, January 28, 2020
Conjunto and Orquesta
Please read Manuel Peña on conjunto and orquesta. Here is some amazing music to accompany your reading. Spend some time with this great music, listen carefully with headphones on. In general, embedded videoclips are more important than examples that are just linked.
*** Conjunto, the pre-war generation
Narciso Martínez, again, El Huracán del Valle, letting the bajo sexto do what an acordion's left hand usually does, the better to go bananas with the right hand.
Pedro Ayala, with tololoche joining the accordion and bajo sexto on the schottische.
Santiago "El Flaco" Jiménez, Sr., with tololoche, here
Conjunto, the post-war generation
Valerio Longoria sings and plays a ranchera, with drum set.
Valerio Longoria again, performing a bolero (called, "Baby, Don't Smoke in Bed") - note the guitar, drum kit, and more complicated minor chord progression
El Conjunto Bernal had a very professional sound - great tenor voice (Gerardo Reyes), harmony singing, Eloy Bernal's agile bajo sexto, and not one but two sick virtuoso chromatic, rather than diatonic, accordions (more buttons, more ways for your polka to go horribly wrong) played by Óscar Hernández and Paulino Bernal:
(Here they are many years later, after going Christian, doing a cumbia against horoscopes and other forms of "witchcraft")
And then, after the 1960s...
.. conjunto music went back to older, more conservative styles
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